{"title":"Records \u0026 Albums","description":"\u003cp\u003eExplore records and albums across the releases available in this collection, including LPs, double LPs, singles, and EPs identified in individual listings. Browse by artist or release when building a record collection, planning a listening session, or choosing music for a fellow enthusiast. Check each product page for the exact format, track information, and edition details before selecting your next addition.\u003c\/p\u003e","products":[{"product_id":"naim-amor-and-kid-congo-powers-tucson-safari","title":"Naim Amor and Kid Congo Powers - Tucson Safari","description":"\u003cp\u003e\u003cspan\u003eNaim Amor and Kid Congo Powers met shortly before the pandemic in Tucson, Arizona . When the complete lockdowns hit everybody, Naïm like lots of other musicians reclused himself in his studio and started experimenting with longtime ideas that were on the shelf . The initial idea was to combine rockabilly\/ garage electric guitars with electronic drum machines and bass synthesizers, a vague intuition inspired by Link Wray’s guitar tones in one hand and the electronic rawness of the band Suicide. After recording a couple tracks, Naïm got the idea of inviting Kid to collaborate in the making of some electric guitar “dialogs”.  The tracks of Tucson Safari display the two different personalities and approaches of Naïm and Kid, both passionate electric guitar players, in the form of an exploration through composition and tone. The interwoven layers of guitars reveal the particular harmonic and melodic sense of Naïm’s sound “dancing” with the unmistakable slide and fuzzy tones of Kid. Limited color vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan\u003e\u003cspan\u003eShips mid October\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"In the Red Records","offers":[{"title":"Default Title","offer_id":67836222177450,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/ITR386-KidCongoNaimAmor-TucsonSafari-Cover-3Kcopy.jpg?v=1793913824"},{"product_id":"memo-pst-eternal-actors-lp","title":"Memo PST - Eternal Actors LP","description":"\u003cdiv\u003e\u003cspan\u003eLA Punks Memo PST return with another modern punk classic \u003ci\u003eEternal Actors\u003c\/i\u003e, their new album out this April on In The Red.  These 12 tracks capture the fury of late '70s rough and raw punk rock, with Orville Neeley crafting hit after hit of god-tier punk bangers. Vocalist Chris Shaw is also at his most versatile to date, with his lyrical capabilities and patented punk snears dripping across every song. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSimply put, \u003ci\u003eEternal Actors \u003c\/i\u003efinds two lords of the punk genre at their very best. There are classic punk bashers like “Dog Groomer Stylist,” and “Doomed to Repeat” but also primitive, bare-bones rock rippers like “Chrome Bubble” and Worship Me.” The band also delivers some of their most hardcore songs to date with “Concrete Club” and “Blown Away.” \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWith the San Clemente wrecking crew of Jackson Todd (drums) and Emmanuel Koulouris (bass) back again to round out the four piece band, this is truly a powerhouse presentation of punk music in 2026. If the band proved they were a punk force with their long sold out, self titled album, \u003ci\u003eEternal Actors\u003c\/i\u003e may solidify their place at the top of the punk pile. \u003cbr\u003e\u003cbr\u003eSHIPS IN MAY 2026\u003c\/span\u003e\u003c\/div\u003e","brand":"In the Red Records","offers":[{"title":"Default Title","offer_id":67836223815850,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/MEMO-PST-SCREEN_frontcover-small.jpg?v=1793913829"},{"product_id":"des-demonas-apocalyptic-boom-boom","title":"Des Demonas - Apocalyptic Boom! Boom!","description":"\u003cdiv\u003e\u003cem\u003e\u003cstrong\u003eNOTE: THIS IS A PRE-ORDER. SHIPS LATE NOVEMBER\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003eWashington DC’s Des Demonas are back with their second full length album! Thirteen brand new songs that are guaranteed to twist your wig. \u003c\/div\u003e\n\u003cdiv\u003eKim Salmon of the Scientists says, \"The sonic fuel of the band is a blend of post punk, punk, funk, blues, psych rock, Afro beat, even bubble gum but the noise you hear is pure Des Demonas.”\u003c\/div\u003e\n\u003cdiv\u003eLimited edition white vinyl. 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The duo have been compared to the likes of \u003c\/span\u003e\u003cb\u003eSonic Youth, Pussy Galore\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eTeenage Jesus and the Jerks\u003c\/b\u003e\u003cspan\u003e, yet have managed to create a sound that is distinctly their own, avoiding mimicking the zeitgeist of decades before. 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The band, based in Boston at the time, traveled to New York to record at Jerry Teel’s Funhouse studio with Jon Spencer acting as producer. The result was a completely over the top noisiefest that remains one of my favorite ITR releases to this day. Admittedly, Jon’s production was heavy-handed and extreme but, I thought it suited the band and the material well.Prior to the recording the band demoed their material at a couple of different eight track studios in Boston. The demos showed that the band had enough material for an album that would be (in my opinion) their strongest to date. Some songs were dropped from the final recording as some newer ones had been written.When the album was released it was very well received but, there was a small number of people close to the band and myself who were critical of Jon’s production and preferred the straight forward recording of the demos. 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Their momentum has only just begun. So don’t get the blues. Giddy-up.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited edition color vinyl!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePre-order available now - out July 25th.\u003c\/span\u003e\u003c\/p\u003e","brand":"In the Red Records","offers":[{"title":"LP","offer_id":67836271460522,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/OogBogo-CowgirlsCover-3K.jpg?v=1793913979"},{"product_id":"cheater-slicks-i-am-low-b-w-rock-and-roll-7","title":"Cheater Slicks - I Am Low b\/w Rock And Roll 7”","description":"\u003cdiv\u003eOne of our very favorite bands have self- released a brand new single on their own Morbid Web Records and we have copies! Of course it’s incredible. 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The duo’s chemistry is undeniable, with their musical partnership serving as both a testament to their enduring friendship and the spirit of musical exploration that began for them in the early years of punk.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLimited edition neon color vinyl\u003c\/span\u003e\u003c\/div\u003e","brand":"In the Red Records","offers":[{"title":"LP","offer_id":67836291121322,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":67836291154090,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/JuanitaJuan-JungleCruise.jpg?v=1793914032"},{"product_id":"the-saints-73-78-im-stranded-box-set-vinyl","title":"The Saints ('73 - '78) - (I'm) Stranded Box Set (Vinyl)","description":"\u003cp\u003e One of the most revered, reviled and talked about records in all Australian music history, (I’m) Stranded by \u003cstrong\u003eThe Saints\u003c\/strong\u003e finally gets the vinyl box set treatment.\u003c\/p\u003e\n\u003cp\u003eA joint collaboration between In The Red, Universal Music Australia and spearheaded by Feel Presents and Saints founder Ed Kuepper, the deluxe edition of (I’m) Stranded will feature 4 x vinyl long players covering all the band’s studio and live recordings from 1976 thru 1977 and includes:\u003c\/p\u003e\n\u003cp\u003e- The iconic debut album remastered for vinyl for the first time in over 40 years\u003cbr\u003e- A five-song live performance from Paddington Town Hall Sydney 3.4.1977 appearing on vinyl for the first time\u003cbr\u003e- A full live performance from the Hope \u0026amp; Anchor Front Row Festival, London November 1977 appearing on vinyl for the first time\u003cbr\u003e- All three tracks from the 1977 This Perfect Day 12” single and all four tracks from the 1977 1-2-3-4 double 7” single\u003cbr\u003e- The previously unreleased 1976 demo mix of the full (I’m) Stranded album.\u003cbr\u003e- In addition to all that vinyl, (I’m) Stranded deluxe edition will also features a 28 page 12” x 12” photo essay of the band covering their origins from 1973 through the end of of ’77, authorised band history, an 8” x 10” 1976 promo photo and a (I’m) Stranded sticker.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"It's been an exhausting yet thrilling process being involved in the creation of this box set. 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But logistical problems involving the band’s co-lead singer Julie Christensen’s ability to record in Los Angeles led to the formulation of a new solo configuration rooted in the past.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePoison Fang Society guitarist Larry Schemel, most recently of Death Valley Girls, and Tucson-bred drummer Johnny Ray are both veterans of the eight-piece lineup heard on the Flesh Eaters’ 1999 album \u003ci\u003eAshes of Time\u003c\/i\u003e. 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When there has been a rare time away from those engagements especially in the post-pandemic scramble to catch up world of gigs and tours, he has been spending all of his time in his laboratory figuring out how to synthesize all of the info he has collected and musical ideas he has developed in the past few years since the last CFM record and subsequent shows for this new solo work. Just before the pandemic started, he was out playing solo shows in a project that revolved around an MPC sampler just to give an example as to the wideness of his explorations. The result is Black Holes Don’t Choke. Love songs for the apocalypse. A prayer toward optimism amid chaos. A plea toward nature. The themes on this album are the themes of today. Charles appeals for us to visualize evolution. And with a signature, the music sounds exactly as you want it to. It sounds like Charles Moothart’s music only more evolved and with greater focus and direction. 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Get this!\u003c\/span\u003e\u003c\/p\u003e","brand":"Morbid Web Records","offers":[{"title":"Default Title","offer_id":67836458139818,"sku":null,"price":9.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/DonHowland-EndGame.jpg?v=1793914463"},{"product_id":"earth-tongue-dungeon-vision-lp-cd","title":"Earth Tongue - Dungeon Vision LP\/CD","description":"\u003cdiv\u003e\u003cspan\u003e\u003cspan\u003eVINYL TEMPORARILY OUT OF STOCK - BACK IN SOON!\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan\u003eUshering in a new era, Berlin based, New Zealand heavy psych duo \u003c\/span\u003e\u003cspan\u003eEarth Tongue\u003c\/span\u003e\u003cspan\u003e lower the castle gates on their third album \u003c\/span\u003e\u003cspan\u003eDungeon Vision\u003c\/span\u003e\u003cspan\u003e, a trove of fuzz-drenched anthems produced by garage rock luminary\u003c\/span\u003e\u003cspan\u003e Ty Segall\u003c\/span\u003e\u003cspan\u003e in Los Angeles.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan\u003eGuitarist \u003c\/span\u003e\u003cspan\u003eGussie Larkin\u003c\/span\u003e\u003cspan\u003e and drummer\u003c\/span\u003e\u003cspan\u003e Ezra Simons\u003c\/span\u003e\u003cspan\u003e spent the Berlin winter of 2025 refining the album’s twelve tracks in their self-described “windowless cave” rehearsal space, crafting a record that channels both isolation and the duo’s live intensity. With the songs finally taking shape and a studio deadline looming, they flew to Los Angeles to turn their hard-won ideas into the real thing. Once there, the band and Ty captured lightning in a bottle, recording and mixing \u003c\/span\u003e\u003cspan\u003eDungeon Vision\u003c\/span\u003e\u003cspan\u003e in just ten days at \u003c\/span\u003e\u003cspan\u003eAltamira Sound\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eTracked live to tape, \u003c\/span\u003e\u003cspan\u003eDungeon Vision\u003c\/span\u003e\u003cspan\u003e pulses with human energy, fuzz guitars, bone-battering drums, and hauntingly tuneful vocals. Ty Segall’s influence is all over the record with Ty choosing the best takes based on feel rather than technical perfection. The “king of fuzzy guitar tones” pushed the duo to find new sonic textures while championing their raw chemistry.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eTy’s been a big driving force\u003c\/span\u003e\u003cspan\u003e,” says Ezra. “\u003c\/span\u003e\u003cspan\u003eWe supported him in New Zealand back in 2023, and he’s backed us ever since even bringing us on tour through Europe and the UK in 2024\u003c\/span\u003e\u003cspan\u003e.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eSince their emergence in 2016, Earth Tongue’s world-building, visuals, and relentless touring have earned them global attention and a cult-like following. Their 2024 album \u003c\/span\u003e\u003cspan\u003eGreat Haunting, also\u003c\/span\u003e\u003cspan\u003e released on \u003c\/span\u003e\u003cspan\u003eIn The Red Records, \u003c\/span\u003e\u003cspan\u003ereceived a \u003c\/span\u003e\u003cspan\u003eTaite Music Prize\u003c\/span\u003e\u003cspan\u003e nomination and saw them win \u003c\/span\u003e\u003cspan\u003eBest Group\u003c\/span\u003e\u003cspan\u003e at the \u003c\/span\u003e\u003cspan\u003e2025 Aotearoa Music Awards\u003c\/span\u003e\u003cspan\u003e. They’ve toured extensively, sharing stages with the likes of \u003c\/span\u003e\u003cspan\u003eQueens of the Stone Age\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eIDLES\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eAcid King\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eBrant Bjork \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eKikagaku Moyo\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eWith \u003c\/span\u003e\u003cspan\u003eDungeon Vision\u003c\/span\u003e\u003cspan\u003e, Earth Tongue deliver their most immersive work yet, a richly human, fuzz-soaked journey that bottles the magic of their live show and cements their reputation as one of the most exciting psych rock acts on the planet.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eMultiple variants:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1. Gatefold, foil-stamped LP on splatter vinyl $35\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2. Silver vinyl $25\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e3. Yellow flashlight vinyl $25\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4. 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Tracing The Sand By The Pool finds the band firing at their most crisp and direct, a full-band collection of meander-free hits triumphantly captured to tape. Twelve new tracks that is boundless and full of gifts. Do not sleep on this one!\u003c\/span\u003e\u003c\/p\u003e","brand":"In the Red Records","offers":[{"title":"Default Title","offer_id":67836505620650,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/LAVENDER_FLU.png?v=1793914587"},{"product_id":"fuzz-fuzz-s-fourth-dream","title":"FUZZ - Fuzz’s Fourth Dream","description":"\u003cp\u003e\u003cspan\u003eWe’re pleased to announce the release of this long planned compilation of Fuzz’s singles, compilation tracks, demos and previously unreleased songs. Over an hour of heavy, fuzzed-out jams that capture the band at the peak of their powers. Limited edition color double vinyl packaged in a beautiful gatefold sleeve and CDs for those who still dig it on digital disc. We can’t think of a better way to close out the year than to drop this one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eShips mid December\u003c\/span\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"In the Red Records","offers":[{"title":"Double LP","offer_id":67836510568618,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":67836510601386,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/ITR409-Fuzz-FuzzsFourthDream.jpg?v=1793914603"},{"product_id":"dion-lunadon-systems-edge-lp","title":"Dion Lunadon - Systems Edge LP","description":"\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cu\u003eOUT NOW!!\u003c\/u\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2022 \u003c\/span\u003e\u003cb\u003eHenry Rollins\u003c\/b\u003e\u003cspan\u003e heard an early version of \u003c\/span\u003e\u003cb\u003eDion Lunadons\u003c\/b\u003e\u003cspan\u003e sophomore album \u003c\/span\u003e\u003cb\u003e‘Beyond Everything’.\u003c\/b\u003e\u003cspan\u003eHe liked it so much that he suggested that \u003c\/span\u003e\u003cb\u003eIn The Red Records\u003c\/b\u003e\u003cspan\u003e should release it and we did!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust over a year later and we are set to release Dion's 3rd album, ‘\u003cb\u003eSystems Edge’\u003c\/b\u003e. Recorded, performed (sans drums) and mixed by Dion and mastered by \u003cb\u003eMikey Young\u003c\/b\u003e, Systems Edge captures Dions unique style of Rock n Roll at its most dynamic. Real, raw and off the chain!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Auckland, New Zealand and now residing in New York City, Dion has played in various bands, most notably \u003cb\u003eThe D4\u003c\/b\u003e, who released two albums on legendary New Zealand label \u003cb\u003eFlying Nun Records\u003c\/b\u003e and \u003cb\u003eA Place To Bury Strangers. \u003c\/b\u003eHe also played in the formidable \u003cb\u003eFlowers Of Evil\u003c\/b\u003e beside members of \u003cb\u003eCrocodiles\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eFirst single \u003cem\u003eSecrets\u003c\/em\u003e is out now! Full album to be released November 14th, 2023.\u003c\/p\u003e","brand":"In the Red Records","offers":[{"title":"Black","offer_id":67836531572906,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/cover_1ddbb735-39f3-4e07-baf9-8f84b2fb1ca4.jpg?v=1793914655"},{"product_id":"the-c-i-a-le-shok-play-the-screamers-split-7","title":"The C.I.A. \/ Le Shok play the Screamers split 7”","description":"\u003cdiv\u003e\u003cspan\u003eLong Beach electropunks Le Shok are back with an incredible cover of the Screamers’ 122 Hours Of Fear!! Los Angeles noisepunks The C.I.A. are back covering the Screamers’ Magazine Love!\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eSuper limited edition seven inch! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003ePink vinyl!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e$10\u003c\/span\u003e\u003c\/div\u003e","brand":"In the Red Records","offers":[{"title":"Default Title","offer_id":67836533801130,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/ITR410_LeShok_TheCIAcover.jpg?v=1793914660"},{"product_id":"divine-horsemen-bitter-end-of-a-sweet-night","title":"Divine Horsemen \/ Bitter End of a Sweet Night","description":"\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003ctable width=\"600\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003ctable width=\"600\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003ctable width=\"532\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003ePRE ORDER NOW  - OUT NOW!\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eLOS ANGELES (TUESDAY AUGUST 15) \u003c\/b\u003e - The renaissance of \u003ca href=\"https:\/\/ymlpmail9.net\/79ed7uhyywafaewqshapamqbarahjhws\/click.php\" rel=\"nofollow\"\u003eDivine Horsemen\u003c\/a\u003e — which began in 2021 with the release of \u003ci\u003eHot Rise of an Ice Cream\u003c\/i\u003e \u003ci\u003ePhoenix\u003c\/i\u003e, the legendary Los Angeles band’s first release in 33 years — continues with a thrilling new album for \u003ca href=\"https:\/\/ymlpmail9.net\/98935uhyyqapaewqshaaamqbafahjhws\/click.php\" rel=\"nofollow\"\u003eIn the Red Records\u003c\/a\u003e, \u003ci\u003eBitter End of a Sweet Night, \u003c\/i\u003eto be released as a two-LP set and a single CD on October 27, just in time for Halloween. The first track off the new album, “\u003ca href=\"https:\/\/ymlpmail9.net\/71af9uhyyyaiaewqshatamqbanahjhws\/click.php\" rel=\"nofollow\"\u003eBitter End\u003c\/a\u003e” was released today. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe new 16-track collection again features the band’s co-founding members, singers-songwriters Chris Desjardins (better known as Chris D.) and Julie Christensen, and the core members of the ferocious \u003ci\u003eHot Rise\u003c\/i\u003e band — guitarist\/co-writer Peter Andrus (a member of the group’s late-‘80s lineup), bassist Bobby Permanent and X’s nonpareil drummer DJ Bonebrake (who won’t be doing ‘live’ dates). The sound is filled out by Green On Red and Dream Syndicate keyboardist Chris Cacavas (who appeared on the 1984 Chris D.\/Divine Horsemen album \u003ci\u003eTime Stands Still) \u003c\/i\u003eand classically trained violinist Elizabeth Wilson. Desjardins produced the album.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDivine Horsemen’s dramatic In the Red bow, and a late 2020 archival set of club performances from 1985 and 1987 issued by Feeding Tube Records, reacquainted listeners with their powerful roots-punk musicianship, which diversified the searing approach taken by Desjardins’ L.A. punk unit \u003ca href=\"https:\/\/ymlpmail9.net\/03cdcuwsssaiaewqshadamqbalahjhws\/click.php\" rel=\"nofollow\"\u003eThe Flesh Eaters\u003c\/a\u003e. (Christensen had previously regrouped with her ex-husband\/musical partner Desjardins on \u003ci\u003eI Used to Be Pretty\u003c\/i\u003e, the 2019 album that reunited the 1981 “all-star” Flesh Eaters lineup.)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eReaction to the group’s rebirth was rapturous. Jaime Pina of \u003ci\u003ePunk Globe\u003c\/i\u003e called \u003ci\u003eHot Rise of an Ice Cream Phoenix\u003c\/i\u003e “brilliant,” adding, “The music is lush with both acoustic and electric guitars and the songs pull influences from…country, rock, traditional ethnic folk music and blues.” Michael Toland wrote in \u003ci\u003eThe Big Takeover\u003c\/i\u003e, “Reclaiming its classic sound of sweat-and grime-stained Americana, Divine Horsemen is reborn like the mythical creature in the title.” John Apice of \u003ci\u003eAmericana Highways\u003c\/i\u003e raved, “Like the Rolling Stones, [Divine Horsemen] continue to thrill. They have grit, muscle and potency….\u003ci\u003eDivine indeed\u003c\/i\u003e.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003ci\u003eBitter End of a Sweet Night \u003c\/i\u003esports seven new original songs by Desjardins and Andrus, two Desjardins-Christensen collaborations, and two solo Christensen collaborations. Another fresh original, “Garden of Night,” was contributed by Erika Wear (her lyrics), who appeared on the Flesh Eaters’ 1999 album \u003ci\u003eAshes of Time\u003c\/i\u003e.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe set is rounded out by a new version of Desjardins’ “Murder of Courage,” first heard on his 1995 solo album \u003ci\u003eLove Cannot Die\u003c\/i\u003e, and three diverse covers: “The Next Man That I See” by the late Anita Lane of The Birthday Party and Nick Cave \u0026amp; the Bad Seeds, “Coffee Shop Blues” by English duo Smoke Fairies, and “It’s Still Nowhere” by Ed Kuepper’s post-Saints combo The Aints.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eConsidering that Divine Horsemen’s last album was released after a three-decade hiatus, the rapid materialization of a new collection may surprise some. But Desjardins says the enforced confinement of the COVID-19 pandemic led to a major creative burst.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“I started writing for this mid-2020,” he says. “I couldn’t work with Peter until the pandemic had calmed, so I wrote reams of stream-of-consciousness, and then to pull out some songs, I ruthlessly carved it up.”  He adds, “I was inventing riffs on guitar, making video versions of me playing to show Peter the parts.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eA couple songs drew on Desjardins’ knowledge of world cinema. Two bear titular references of films: “Vanina Vanini,” Italian master Roberto Rossellini’s 1961 costume drama, adapted from Stendahl’s 1829 novella, and “Dirty Like an Angel,” a noirish 1991 drama by Catherine Breillat.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThough Desjardins’ marriage to Christensen ended in the late ’80s, their creative partnership remains as strong as ever, as evidenced in new song collaborations “Bitter End” and “Notorious,” which were penned in a long-distance back-and-forth.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChristensen knows good songwriters; after all, she sang with Chris, and then with Leonard Cohen from 1988-1993. Her other contributions to \u003ci\u003eBitter End of a Sweet Night \u003c\/i\u003ewere both the result of partnering with outside veterans. “No Mercy,” written with John Hadley and the late David Olney, (the latter penned Emmylou Harris’ “Deeper Well,”) first appeared on the 2016 set \u003ci\u003eThe Cardinal\u003c\/i\u003e by her Nashville-based rock band Stone Cupid. She says, “Written in the vein of Divine Horsemen. I was proud of it because I had not tried to conjure that stuff in a long time.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“These Evils,” which also fits into Divine Horsemen’s darker side of Hollywood, was written in 1990 for an unfinished Christensen solo album with the L.A. team of Dan Navarro and the late Eric Lowen, the writers of Pat Benatar’s hit “We Belong.” It had not been recorded until now. “We had done a demo then, and when I was finally digitizing the cassette, it broke, so I had to rewrite the second verse — I never had the lyrics written.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWork on\u003ci\u003e Bitter End of a Sweet Night\u003c\/i\u003e moved fitfully during 2021, as the pandemic surges imperiled in-person work. When recording began in January 2022, the musicians employed some remote recording techniques for safety’s sake as well as long distance issues.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDesjardins says, “I knew that Chris Cacavas – who lives in Germany now – had done remote recording. When we sent rough mixes of the songs to him, he came back in a couple of days with finished versions. All of DJ’s drum stuff was done remote. He had returned from a tour with X where everyone had gotten COVID – except him! He said, ‘I’ve got an agreement with my wife. I can’t leave the house for a few months, but I think I can do this in my backyard studio.’ And he did, flawlessly.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe wild card for the sessions was classical violinist Wilson, who adds magic to four of the songs. “Elizabeth Wilson is one of Bobby Permanent’s friends,” Desjardins says. “She had wanted to do some rock stuff and was a quick study — we only had one rehearsal with her. Even on her first passes in the studio, she had a feel for it.” Christensen enthuses, “Oh, my God! Isn’t she badass!”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePeter Andrus and Bobby Permanent have plenty more in their resumes: Peter supplied additional guitar on the recent album release of Detroit-based The Volebeats, \u003ci\u003eLonesome Galaxy\u003c\/i\u003e, was released by Ben Harper's Mad Bunny Records. One of Bobby’s most memorable efforts was supplying several songs for John Cassavetes’ final feature film in 1984, \u003ci\u003eLove Streams\u003c\/i\u003e.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOn March 29, 2022, Divine Horsemen rode again with their first live show since 1987, at the Los Angeles club Zebulon. 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This four song 12” is a ripper! It comes in two alternate color covers with vinyl to match.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn June 16, 2025, I saw this UK Subs multi-track demo tape for sale on eBay, of all places. I got it and sent a photo of the front cover of the tape box, which informs the back cover of this 12” to Pete Davies to see what he might remember. He said it looked legit. I took the tape to Infrasonic Sound, a great studio in Nashville, Tennessee and asked engineer Pete Lyman if he could transfer the tape. Days later, he sent Ian MacKaye and I a rough mix of the session. I was stoked to hear that three of the four tracks were unreleased. I contacted Ian and suggested we take the tracks to Don Zientara’s Inner Ear Studios in Arlington, Virginia (where we made our first records decades ago) to mix them. On September 30 there we were with Don. 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The winning bidder was Henry Rollins who, upon hearing the tape, contacted TV Smith (the band’s singer and principal songwriter) and got permission to release the tracks. The tape was transferred at Tonal Park in Maryland and mastered by Mikey Young in Australia and it sounds incredible in all its raw glory.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe Adverts were one of the original Class of ’77 UK punk bands and they were arguably one of the best. Their singles and debut album, Crossing The Red Sea With The Adverts, are all time classics of the genre. Rehearsal Tape is the first time the band was ever recorded. In The Red and 2.13.61 are over the moon to have the opportunity this punk rock artifact on vinyl. Pressed on red vinyl and limited edition\u003c\/div\u003e","brand":"In the Red Records","offers":[{"title":"Default Title","offer_id":67836644851882,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0766\/6650\/3338\/files\/ITR21361-6-Adverts_Cover.jpg?v=1793914943"},{"product_id":"the-linda-lindas-ep","title":"THE LINDA LINDAS EP","description":"\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eIn The Red is proud to announce the 12” vinyl release of six songs from the Linda Lindas’ early recording sessions on beautiful color vinyl variants that were specifically picked by each member of the band. The group released the tracks digitally a year ago and have since become instant sensations when their song \u003cspan\u003eRacist, \u003c\/span\u003eSexist Boy went viral - now everyone knows how awesome they are. We were already huge fans of the band and are thrilled to be giving these songs the vinyl treatment. This release will be priming the pump for their debut album which will be out later in 2022 on Epitaph.\u003c\/p\u003e\n\u003cdiv\u003eAlice Bag says….\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eI first had my mind blown by The Linda Lindas at a Save The Music in Chinatown Event. The series of concerts was meant to raise funds for the music program at Castelar Elementary School in Chinatown. At that point, the girls played covers of popular punk songs and traded instruments. They played with skill, joy and zero pretense. The children in the audience danced and chased each other around to the music. As I recall, the old timers in the audience included OG members of the Adolescents, the Dils, the Zeros, the Alley Cats, Nervous Gender, and of course the Bags. We were all smiling from ear to ear during the entire set, recognizing that punk spirit of fearlessness and an eagerness to take on the world.  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBut how did they get to be so good? Eloise, Mila and Lucia had all taken classical piano lessons before the idea of forming a band occurred to anyone and their friend Bela was studying guitar. They had already dipped their toes in the fundamental ooze of music theory. Kristin Kontrol stepped into this swirl of stardust and helped the band coalesce. Like the best fairy godmothers, she helped them learn to play together then allowed them to continue growing on their own. Of course, the girls themselves are the source of the melodies, harmonies, and the song lyrics inspired by their experiences, told from their personal points of view. All this is delivered onstage with conviction and confidence, punk-rocking swagger and an uncontrollable effervescence. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLet me say that a good part of the band's success story should be credited to the parents who have supported and encouraged these girls in every way. I’ve seen them taking the girls to rock concerts, working the merch tables at their shows, being roadies, managers, stylists, engineers and producers - not in a pushy, stage parent way but in a way that serves their daughters' dreams. I love seeing these young girls supported with the kind of enthusiasm usually reserved for high school boys on sports teams. It’s this strong foundation that allows the girls themselves to deliver the goods with a combination of musicianship, songwriting ability, and commitment to rock. You can hear those elements shine through in every song of these early recordings.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eI can still vividly recall being in the audience at the Masque for the debut show by a brand new, all-female punk band called The Go-Go's. After the set I was talking to my Bags bandmate, Craig Lee and we both agreed that the girls were destined for big things. Aside from their undeniable style and charisma, they had a unique ability: they wrote songs with catchy hooks, melodies and backing vocals that set them apart from most of the other bands at the time. No one could have guessed that forty-four years later, the Go-Go's would be inducted into the Rock n' Roll Hall of Fame as much for their classic tunes as for changing the face of rock and proving definitively that women in rock weren't flukes or novelties. 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Emmett’s modular synth envisions an environment reminiscent of the instrument itself, a mess of wires and pulsing red lights. Ty’s subtle use of electronic and analog percussion fluctuates between the sound of a metal tray hitting the floor (“The Wait”), and the swish of an ultrasound scan (“Bubble”). At times, it projects the feeling of being probed and investigated. You could assume this reality has been lived by those at The C.I.A, though most listeners could only fear it. So... just how little of this portrayal is solely a work of imagination? \u003cbr\u003e\u003cbr\u003e“I’ve been under \/ I’ve been down \/ Stripped and bound \/ Coming out” from “Under”.\u003cbr\u003e\u003cbr\u003e“It’s a slight incision \/ Never really knowing \/ If we’re dead or living” from “Over”.\u003cbr\u003e\u003cbr\u003eDissection is but just one of the issues here. “Bubble” is a different story... of anxious desire. We will be consumed by what we must consume. 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